Roundtable: Linking Cognition and Hearing Is Not a Scare Tactic
This discussion addresses the misunderstandings around the connection between cognition and hearing loss and the best ways for HCPs to approach the topic with patients.
This discussion addresses the misunderstandings around the connection between cognition and hearing loss and the best ways for HCPs to approach the topic with patients.
Through the international awards program, HHTM honors technological innovation and achievement in the hearing industry.
The input-related dynamic range of modern hearing aids is important to know in order to prevent distortion and input-clipping of louder sounds in the environment. Typical loud input sounds are music and the level of a hearing aid consumer’s own voice.
The music business can be a feast-or-famine endeavor, with gigs waning for a variety of reasons, including the effects of the global pandemic. But regardless of their economic situation, musicians need hearing care (enhancement or protection) in good times and bad.
Read MoreAre there specific frequency transpositions that would be acceptable? As it turns out, more may not necessarily be such a bad thing.
Read MoreFor speech, frequency transposition works very well, but music is not speech. Music is made up exclusively of notes and their harmonics.
Read MoreSpreading the word about tinnitus care throughout the community can help hearing care professionals stand out from the crowd while developing a busy niche. This article looks using tinnitus remediation and financing options to help build your practice.
Read MoreHow to provide your patients the opportunity to purchase important accessory items like remote mics, looping systems, and alarm/alerting devices—systems that can make a big difference in their outcomes.
Read MoreThe University at Buffalo will hold its 2020 Northeast Audiology Conference (NEAC) via Zoom on November 14 between 9 am – 5 pm.
Read MoreLRADs are loudspeaker systems on steroids and are easily capable of generating outputs on the order of 120 dBA at 10 meters. Although we don’t have very good models for noise exposure over 115 dBA, we do know that levels of 120 dBA (with peaks being up to 15 dB higher) can create acoustic trauma.
Read MoreEberts, a hearing health advocate and founder of the Living With Hearing Loss blog, will become the new section editor for FindHearing.
Read MoreMusiciansClinics.com is a resource for those seeking information on a variety of topics related to hearing and hearing loss in musicians. Developed by audiologist-musician Marshall Chasin, AuD, the website offers a large range of resources for guitarists, bass players, violinists, woodwind players, school band teachers, and more.
Read MoreAudiologists should at least offer assessment of tinnitus patients and provide basic intervention for tinnitus through hearing aids and other devices, the provision of accurate tinnitus-care information, and/or referrals to other providers for tinnitus-related services. Here’s an easy-to-understand protocol for patients with tinnitus from Dr James Henry and colleagues.
Read MoreThe organization has announced the addition of Nick Fitzgerald as Partner and Chief Marketing Officer.
Read MoreThe peak sound pressure really has no value in the estimation of the sound exposure dose whether this is music, industrial noise, or recreational noise.
Read MoreMarshall Chasin explains how earplugs are modified for long-eared or short-eared individuals who have ear canal resonances that are less, or more, than the usual 2700 Hz.
Read MoreLike all healthcare fields where the clinician needs to explain complex concepts to the lay public, metaphors are used. In the optical field, “nearsighted” and “farsighted” are actually good metaphors despite their simplicity and academic inaccuracy. In the field of audiology, we have the description of the audiogram with the piano keyboard across the top; a good explanation, but limited in that it’s only the right hand side of the keyboard and musical notes are not pure-tones.
Read MoreAudiologist Marshall Chasin posits a simple test that can be employed with a piano or keyboard that might quickly screen people for the possibility of a cochlear dead zone.
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