A Tale of Two Feedback Cancellers
A comparison of a new-generation feedback cancellation algorithm with that of a recent-generation algorithm provides a look at how rapidly this technology is advancing.
Read MoreJul 29, 2006 | Practice Management | 0 |
A comparison of a new-generation feedback cancellation algorithm with that of a recent-generation algorithm provides a look at how rapidly this technology is advancing.
Read MoreJul 28, 2006 | Hearing Loss | 0 |
A new survey, carried out to mark the launch of a partnership between Specsavers Hearcare, Guernsey, United Kingdom, and Deafness Research UK, London, found that 14% of people spend up to 28 hours a week listening to their personal music player.
Read MoreJul 11, 2006 | Hearing Aids, People | 0 |
During its annual shareholders meeting, Sonomax Hearing Healthcare Inc, Montreal, announced that it signed a development deal with Hear Atlast, Toronto, for the launch of hearing centers in large retail stores across Canada. The first hearing store is slated to open this fall.
Read MoreThe Alexander Graham Bell Association for the Deaf and Hard of Hearing (AG Bell), Washington, DC, has awarded $40,460 in arts and sciences awards to 54 students aged 6-19 who are deaf or hard of hearing and use spoken language to communicate.
Read MoreJun 12, 2006 | Practice Management | 0 |
A new visible speech system is designed to take much of the guesswork out of the fitting process. By moving from a subjective to an objective fitting approach and doing a better job of explaining the impact of hearing loss and hearing remediation, we have the potential to advance as counselors and encourage patients to take ownership of their hearing issues—and solutions.
Read MoreJun 5, 2006 | Hearing Aids, Research | 0 |
The Starkey Hearing Foundation, a charitable organization known worldwide for its work of providing children in need with the tools to hear, is hosting its “So the World May Hear” Awards Gala on Saturday, June 17, 2006, in St. Paul, Minn.
Read MoreMay 12, 2006 | Practice Management | 0 |
Temporal processing concepts have gained greater importance as advanced digitally programmable compression hearing aids have come to dominate the industry. This article examines the key definitions and test procedures related to temporal processing and amplification.
Read MoreA series of articles on one of the most critical, and problematic, parts of the hearing aid fitting process. In Part 2, techniques for making the perfect impression.
Read MoreApr 8, 2006 | Components, In the Ear | 0 |
In this section, HR presents a glimpse of the various products and services out on the market today.
Read MoreApr 6, 2006 | Practice Management | 0 |
A study on the feedback cancellation of six high-end digital hearing instruments
Read MoreApr 5, 2006 | Practice Management | 0 |
A look at how sound processing algorithms and acoustic aspects of the fitting influence sound quality in a new digital hearing instrument that emphasizes high resolution.
Read MoreMar 12, 2006 | In the Ear | 0 |
By continuing to develop advanced technology, promoting advances to those outside our industry, supporting evidence-based practice and data-driven development—and acknowledging the success that we are achieving in our industry—we will be poised to be one of the most successful fields to work in among all of the medical device industries.
Read MoreMar 10, 2006 | Cochlear Implants | 0 |
Cochlear implant users can listen to MP3 and CD players via several options, including audio headphones, direct patch cables, or FM systems.
Read MoreMar 7, 2006 | In the Ear | 0 |
Personal monitoring has revolutionized onstage sound reinforcement. The development of personal monitors was driven by the need to provide an onstage listening experience that surpassed the limitations of traditional floor monitor systems, and it has the dual ability to protect the performers’ hearing. Here’s a brief tutorial on these systems.
Read MoreMar 3, 2006 | Events, Regulation | 0 |
The design of music rehearsal spaces, practice/teaching rooms, and performance venues shouldconsider the acoustical and safety requirements of performers, instructors, and the audience.
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