Audio producers and engineers seek SNR optimization, have the luxury to use audio equipment with exceptionally high specifications running on AC power, and avoid extensive signal processing. This provides an amplified sound signal with stunningly realistic fidelity.
Read More
High-fidelity hearing protectors preserve the sound quality of music and voices, and are the best choice for most musicians’ hearing protection needs.
Read More
Intriguing research continues to focus on music, the brain, and music’s potential in honing auditory acuity, including speech-in-noise performance and the enhancement of listening abilities. Drs Nina Kraus and Samira Anderson explain why these exciting findings may have big implications for auditory training and aural rehabilitation.
Read More
Musicians can be a hearing care professional’s worst nightmare and, on occasion, their greatest teacher. The Hearing Review’s August edition guest editors Douglas Beck, AuD, & Marshall Chasin, AuD, provide an overview of this fascinating and challenging area of hearing healthcare.
Read More
Hearing Review Editor-in-Chief Karl Strom takes a look at second quarter hearing aid sales in this month’s Staff Standpoint.
Read More
Why is the number 1.059 important in audiology and music? Besides being the twelfth root of 2, it is also the number you multiply by in order to find the next key on a piano keyboard (in Hertz). Marshall Chasin, AuD, explains why this knowledge might come in handy.
Read More
For the first time the hippocampus has been observed to be active in response to recurring musical phrases while listening to music.
Read More
Singing roads and highway melodies, Marshall Chasin, AuD, examines the music of speed.
Read More
This month’s blog, by frequent Hearing Review columnist Marshall Chasin, AuD, looks at musical roads: highways that “play a song” when you drive over them at a certain speed.
Read MoreProfessional musicians are almost 4 times as likely to develop noise induced hearing loss as the general public and are 57% more likely to develop tinnitus, says research.
Read More
It is almost as if music has something in common with everything—psychology, physiology, acoustics, engineering, most areas of the arts, and now the lowly spondee.
Read More
Loudness is a subjective attribute of sound that allows us to place it on a scale going from soft to loud without relation to any physical measure. As such, loudness can be affected by background noise, the nature of the noise or music spectrum, the degree of vibro-tactic response, and even your mood.
Read More
Modern hearing aid technology has the capability to be responsive to varying levels of inputs.
Read MoreA perspective from years of testing hearing aids on their performance in music and commentary about Marshall Chasin’s January 2014 HR Tech Topic article about the Widex Dream device.
Read More
The data from this study indicate that the raising the A/D converter bridge is a valid strategy that has been shown to be useful in both laboratory and real-life listening environments.
Read More