Training Event Focuses on Needs of Musicians, Audio Engineers
Seminar explores needs of those whose needs lie outside common audiology curriculums.
Read MoreOct 1, 2007 | In the Ear | 0 |
Seminar explores needs of those whose needs lie outside common audiology curriculums.
Read MoreJul 17, 2007 | Prevention | 0 |
Hit maker takes role as photographer for “Hear the World” effort.
Read MoreJul 14, 2007 | Prevention | 0 |
Bryan Adams has become the official photographer for the Hear the World initiative.
Read MoreMay 22, 2007 | Hearing Loss | 0 |
Autographed guitar from Academy of Country Music Awards auctioned to benefit Disabled American Veterans
Read MoreA new analysis of iPods and other portable, digital music players by researchers at the University of Colorado at Boulder and Children’s Hospital in Boston has produced the first-ever detailed guidelines for safe listening levels using earphones.
Read MoreA new analysis of iPods and other portable, digital music players by researchers at the University of Colorado at Boulder and Children’s Hospital in Boston has produced the first-ever detailed guidelines for safe listening levels using earphones.
Read MoreSep 18, 2006 | Hearing Loss | 0 |
The EAR Foundation, Nashville, Tenn, was the official hearing protection provider for the 2006 Austin City Limits Music Festival.
Read MoreMar 9, 2006 | Practice Management | 0 |
A selective overview of perceptual dimensions contributing to music experience that have implications for the fitting of hearing aids, as well as possible treatment and research of hearing loss.
Read MoreMar 8, 2006 | Evaluation, Headphones, In the Ear | 0 |
As hearing care experts and “hearing loss preventionists,” it is our responsibility to consider critically the level of risk and educate our patients and the public appropriately about the use of personal music players.
Read MoreMar 6, 2006 | Hearing Products | 0 |
Musicians need to hear well, and safely, when they play. Standard industrial-type hearing protectors muffle sound and frequently provide too much attenuation and occlusion to be acceptable for musicians. This article describes the selection of high-fidelity earplugs for musicians.
Read MoreMar 5, 2006 | Evaluation, In the Ear | 0 |
The UNT model is designed to provide students with knowledge about retaining their musicians’ ears for their careers and their quality of life. The National Association of Schools of Music (NASM) has reviewed the program and an outline is being prepared for national dissemination.
Read MoreMar 4, 2006 | Evaluation, In the Ear | 0 |
Studies show that musicians routinely face sound pressure levels (SPLs) in potentially hazardous ranges, extending up to 120-130 dBA only 3 feet from the speaker in amplified rock/pop bands, 83-112 dBA on stage in various orchestras, and 80-101 dBA on stage in jazz, blues, and country and western bands.
Read MoreMar 2, 2006 | Practice Management | 0 |
Understanding and managing the four physical differences between speech and music allows the hearing care professional to approximate the correct electroacoustic parameters and enhance the enjoyment of listening to music.
Read MoreMar 1, 2006 | Practice Management | 0 |
An introduction by this months guest-editor, and his thoughts on music induced hearing loss, why it differs from noise induced hearing loss, and what might be expected in the future of this exciting area.
Read MoreMay 2, 2001 | Amplification, Prevention, Research, Tinnitus | 0 |
Diagnostic measures for the early identification and prevention of music-induced hearing loss may help improve musicians hearing health and lengthen their careers
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